直播60多个盒子破解2020

四川音乐学院学报《音乐探索》2020年第4期目录

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《音乐探索》2020年第4期目录(lu)

       

 

艺(yi)术教育

03  刘立(li)云(yun)、李林芸、柳良/综合驱动(dong)创新  统整彰显特色(se)——基于四川(chuan)音乐(le)学院“艺术课程”的(de)统整研究

LIU Liyun, LI Linyun, LIU Liang: A Study on the Integration of Art Courses in SCCM

 

10  刘永福/基本(ben)乐(le)科教(jiao)学现状及问题(ti)反思

LIU Yongfu: The Current Situation of Teaching Basic Music Subjects and Some Reflections on Its Problems

 

15  朱玉江/当代知识观转(zhuan)(zhuan)型与学校(xiao)音乐课程范式转(zhuan)(zhuan)向

ZHU Yujiang: The Transformation in the Contemporary Conception of Knowledge and the Paradigm for School Music Course

 

 

新(xin)文(wen)科建设

23  孙洪斌/“新文科”理念下艺术复合(he)型人才创新性(xing)培养模式(shi)探(tan)索(suo)与实践

SUN Hongbin: The Exploration and Practice in the Innovative Mode of Cultivating Compound Art Talents in the Context of “New Liberal Arts”

 

29  康瑞军(jun)/“新文(wen)科”背(bei)景下(xia)高师音乐专(zhuan)业学科建设的(de)挑战(zhan)与出路

KANG Ruijun: The Challenge and Outlet for the Disciplinary Construction of Music as Major in Normal Universities in the Context of “New Liberal Arts”

 

音乐产(chan)业

34  赵志(zhi)安、曹军军、王毅潇/国(guo)家音(yin)乐产业(ye)基地园区评价(jia)指标体(ti)系的初步建构

ZHAO Zhi’an, CAO Junjun, WANG Yixiao: The Construction of the Evaluation Index System for National Music Industrial Base

 

43  林印吉(ji)/从(cong)声音装置(zhi)艺术作品看艺术与科技的融合

LIN Yinji: The Fusion of Art and Technology Viewed from the Sound Installation Works

 

48  曾(ceng)诚/商业音(yin)乐(le)产品模式对(dui)流行音(yin)乐(le)制作教学的影响

ZENG Cheng: The Influence of Commercial Music Products Mode on Popular Music Production Teaching

 

艺术批评

 

54  居其宏/我国歌剧史论研(yan)究和批评的(de)现状与(yu)思(si)考

JU Qihong: The Current Situation of Studies and Criticisms on China Opera History and Some Reflections on It

 

59  陈玲俐/利盖(gai)蒂的(de)“静(jing)态(tai)”音(yin)乐研(yan)究——以(yi)《永恒之(zhi)光(guang)》为例(li)  

CHEN Lingli: On György Ligeti’s “Static” Music: A Case Study of Lux Aeterna

 

70  朱为(wei)总、朱温臣/信仰抉择 人性(xing)光芒——浅评(ping)现代(dai)越剧《枫叶如花》

ZHU Weizong, ZHU Wenchen: Choice in Belief and Light of Human Nature: A Brief Review of Modern Yue Opera Flower-like Maple Leaves

 

 

王光(guang)祈研究

74  杨晓琴、董(dong)一(yi)知/歌(ge)剧还是戏曲？——论王光祈歌(ge)剧观

YANG Xiaoqin, DONG Yizhi：A Study on Wang Guangqi’s Conception of Opera

 

 

人工(gong)智(zhi)能音(yin)乐

 

82  杨小影/“智能+钢琴教(jiao)育”初步构想(xiang)浅析

YANG Xiaoying: An Analysis of the Preliminary Conception for AI Assisted Piano Education

 

87  夏一婷、蔡(cai)梓丰/让音乐辅助大(da)脑(nao)休息——冥想音乐研究综述

XIA Yiting，CAI Zifeng: Resting the Brain by Music: A Review of the Studies on Meditation Music

 

 

民族民间音乐   

 

92  齐柏平/唐(tang)代“山歌”的(de)内涵与外延

QI Baiping: The Connotation and Denotation of the Folk Songs in the Tang Dynasty

 

99  丁博、杨曦(xi)帆/“整(zheng)体性”考量：从学理方法与(yu)区(qu)域实践说起——岷(min)江上游地区(qu)藏羌多声部(bu)民歌研(yan)究回顾与(yu)展望

DING Bo, YANG Xifan: A Review and Outlook for the Multi-Voice Songs of Tibetan and Qiang People in the Upper Reaches of Min River

 

108  吴志闹(nao)/琵琶(pa)在当代民族(zu)管弦乐队(dui)弹拨乐组中(zhong)的(de)配器

WU Zhinao: The Orchestration of Pipa in Plucked Strings of Contemporary Chinese National Orchestra

 

 

音乐史学

 

116  陈(chen)海(hai)、田可文/论柏(bo)林歌曲(qu)乐派(pai)的三阶(jie)段及其(qi)风格

CHEN Hai, TIAN Kewen: The Three Stages of Berlin Lieder School and Its Style

 

127  汪洋、董楚玮/李树化在浙江(jiang)大学（1946～1956年）的(de)音(yin)乐活动考     

WANG Yang, DONG Chuwei: An Investigation into the Musical Activities of Li Shuhua in Zhejiang University from 1946 to 1956

 

136  池(chi)瑾璟/新历史主义视阈下(xia)的【满庭芳】研究(jiu)   

CHI Jinjing: A Study on the Tune Pattern Mantingfang in the Perspective of New Historicism

 

142  《音乐探索(suo)》第三(san)十六(liu)卷总目(mu)录

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